托福瀏覽素材可以有許多，一些書老是能讓讀者寧靜尋思。下面為眾人帶來托福瀏覽素材精選：急躁假期必看的10本書，願望對眾人托福備考有所贊助。
托福瀏覽素材：短篇故事集、小我散文、回想錄和汗青小說的行文老是能讓讀者寧靜尋思。
《蜜露》
Pearlman writes quiet stories about theblips of tumult . She's been writing short stories -- and only short stories --for decades, chronicling the lives of earnest blue collar workers and whimsicalacademics. Most of the stories are set in her native Massachusetts; all of themreveal something tender and universal about everyday life.
皮爾曼安安悄悄的筆調下有些許動蕩和喧嘩。她一向就在寫短篇小說，並且數十年來只寫短篇小說，記載著熱情勤懇的藍領工人另有想入非非的學者們的生存。大部門的故事配景都設置在她的故土馬薩諸塞州，每則故事都展示了平常生存渺小而廣泛的一壁。
瓊·西爾珀《傻瓜》Fools by Joan Silber
《傻瓜》
Each story in Fools confronts the question:What makes an action foolish, as opposed to brave? And when is it better to befoolish, as opposed to steadfast in our established beliefs?
《傻瓜》中每則故事都面對如許一個題目：比之大膽，如何的行動才算愚蠢?與咱們篤信不疑的信心相對於，什麽時候做個傻瓜才是更好的選取?
凱瑟琳·海尼的《獨身只身、隨性、成熟》Single, Carefree, Mellow by KatherineHeiny
《獨身只身、隨性、成熟》
Katherine Heiny writes stories that quietlyhighlight the dramas of dating life, from teenagehood through adulthood. Heinywrites about both lover growing estranged through social media, and younggirls learning about the power of their own sexualities, with wry humor.
凱瑟琳·海尼的故事若無其事地凸起了約會的戲劇顏色，從及笄年華到成年時代，所在多有。海尼不僅僅寫因交際媒體而漸漸疏離的情侶，也寫年青女孩熟悉到其聲色的威力，筆調不乏嘲弄諷刺。
瑪麗蓮·羅賓遜《小時刻，我念書》When I Was a Child I Read Books byMarilynne Robinson
《小時刻，我念書》
Marilynne In When I Was a Child I Read Books,Robinson fluidly contemplates significance of community and the power of theindividual. You don't have to be a religious thinker to find beauty inRobinson's poetic musings.
《小時刻，我念書》一書中，羅賓遜行文流利，沉思社區的主要性和個別的力氣。讀者即使不信仰宗教，也能發明羅賓遜富有詩意的哲思之美。
莉莉·塔克《莉蓮的兩重生存》The Double Life of Liliane by Lily Tuck
《莉蓮的兩重生存》
Lily Tuck's latest novel isn't exactly amemoir, but it sits somewhere between novel and autobiography, blurring thelines between related memory and imagined possible scenarios. Like Tuck,heroine Liliane's parents divorced when she was young, wreaking personal havocthat mirrored the tragedies unfolding in Europe at the same time.
莉莉·塔克的最新小說確實說來不是回想錄，介於小說和自傳間，隱約了影象和想象場景的界線。和莉莉·塔克小時刻同樣，女主人翁莉蓮幼年怙恃仳離，深受重創，也映射出同期歐洲的慘劇。
拉瑞德·亨特《不歸》Neverhome by Laird Hunt
《不歸》
Hunt tells his story about a womandisguised as a male solider through letters. The story is loosely based on abundle of letters Hunt stumbled upon written by a real undercover femalesoldier and is a smart work of historical fiction that encouragescontemplation.
亨特經由過程手劄情勢報告了一個女子假裝成男武士的故事。亨特有時間撞見一捆信件，是一個真正的臥底女武士所寫的，亨特的汗青小說稍稍以此為參照，惹人沉思，是部聰明的作品。
凱思琳·奧爾科特《無窮的故裏》Infinite Home by Kathleen Alcott
《無窮的故裏》
Protagonist Edith has built a happy familyof her own among her tenants -- until she gets slammed with potential evictionas her mind begins to worsen. The unsteady state of their home and theirlandlady forges an even closer bond between the housemates in this lyricalmeditation on what really makes up a family.
主人公伊蒂絲與其佃農們樹立了一個幸福的家庭，但是，跟著記性變差，她或將被驅趕。家庭不穩固，女房主與佃農們的幹系更慎密了。這部抒懷的尋思錄惹人思慮畢竟作甚構成家庭的要素。
裏查德·麥奎爾《這兒》Here by Richard McGuire
《這兒》
This book is a heartwarming time capsule,and fluid look at the way our interior lives have evolved, and how they'veremained the same.
這本書是暖和民氣的時空膠囊，以溫婉的視角看咱們的心坎演化和又若何初心穩定。
海蒂·朱拉薇姿《折疊的時鐘》The Folded Clock by Heidi Julavits
《折疊的時鐘》
The Folded Clock is a Diary, a collectionof musings written offhandedly each day by its author. It's been scrubbed ofidentifying details, but otherwise remains a deeply personal collection ofthoughts about motherhood, language, and what success really means.
《折疊的時鐘》是部日誌，是作者逐日順手寫就的遐思集。書中隱去了泄漏身份的信息，但還是身為人母的感觸、對說話的思慮和論述勝利之道的小我思惟集。
莉迪婭·戴維斯《"不可"與"不克不及"》Can't and Won't by Lydia Davis
《"不可"與"不克不及"》
Davis' stories are quick, dreamy snapshotsof a mood or a sentiment, and they take the shape of the idle thoughts thatmake up most of our days. Davis's spare language is comforting and digestible,but leaves ample room for contemplation and imagination, too.
戴維斯的故事輕松宜人、直擊民氣。故事取材於咱們平常生存七零八碎的心思惟法。戴維斯平實簡潔的說話撫慰民氣、易於懂得，但有給讀者充足想象和尋思的空間。
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